Discover what’s new in the latest release of Capture One photo editing software. Explore our top new tools and world-class features. Try it free. Transfer your photos directly to your computer while you shoot and get a full-screen view within seconds – perfect for quality controlling shots in the.
 
 

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Direct Color editing might feel weird at first, but this is a perfect tool for batch editing. All you need is to remove, say, magenta color cast on a particular image. For such a task, Direct Color Editor fits just awesomely.

Layers work so fantastically in Capture One that you want to use them a lot. Still, any local correction reduces your editing speed. To get advantages of batch editing layers, you need to control all local corrections with shortcuts only. Here is the thing: most of your images will require only one layer adjustment. Capture One creates the first layer automatically when you start drawing the mask shortcut B or gradient L and T shortcuts.

The same applies to the Heal brush shortcut Q. If you need to add some retouching, Capture One creates the first heal layer right as you start drawing it. Thus, any local adjustments can be applied pretty quickly. However, sometimes you need to switch back the background layer to add some general correction. You can speed up this action as well by setting a shortcut for it:. Our vision is highly adaptive.

Jumping from image to image, you can easily adapt to a wrong White Balance or contrast. You can miss some critical things to retouch or composition mistakes to fix. To avoid this, always practice quality control after editing. There, in the user support, they will explain you the cause of a crash and tell how to work with any tools properly. Check out these 3 free Capture One alternatives that are similar to this program in some functions.

Pixlr is a free photo editor. It has a modern interface and a large choice of tools for professional and amateur image editing. The photo editor can boast of a number of effects and filters combinations, main options and shortcuts configuration. Quick color change, focus point identification, improvement of picture quality, aligning or cropping of photo parts, and adding effects.

RawTherapee is the software for a basic photo editing. A file manager is built into the program. With its help, you will be able to view, sort, filter or mark images. The program also offers functionality for batch photo editing. Darktable is a raster photo editor, which is primarily oriented on image color correction. Using this free image editor, you will be able to adjust exposure, white balance, edit contrast, brightness, and saturation, fix shadows in the light areas.

The program supports RAW images editing and provides non-destructive photo editing throughout the entire working process. This means that your original images never change. Darktable always works with a copy of your photo.

Can you help me? May be you by accident have set at check mark at this option. Hi Per, It’s strange. That option is already uncheck. I still don’t know what is wrong with it Thank you. I would like to make the most of this software by using one of its useful tools, namely that of taking shots and seeing them on my pc’s screen either in “normal” mode or live view. But I don’t want it to delete them on my camera.

Interesting article for those who’ve most likely never heard of Capture1 but only of LightRoom. Not to name RawTherapee. However as someone wrote, to me it misses the point: which is the best software??? Where is the indepth comparison of these softwares? Can’t someone write something like those Buying guides published for cameras? I’ve never been able to find this kind of serious work done by a competent and independant person Anyone about to invest so much time in one or other software has a hard time choosing.

Cause with the time you spend on this kind of software, you shouldn’t choose according to a small price difference, but on the account of durability. I chose LR cause it seemed more of a standard and closer to Photoshop in case I would need it. Now I wonder if I was right. Especially withe Adobe’s policy towards cloud licensing and the way they didn’t upgrade the regular LR6 with dehazing function I recently switched to the Fuji system and I was kind of wondering why my images look much sharper on the screen than using LR6.

It also seems to have a different tolerance for pulling back highlights. I feel LR6 gives you more freedom where you can pull a lot of info back even to the detriment of the image where C1P kinda says enough cowboy. I was considering that from my research. I have a few canon bodies as well and I liked the subscription option for C1P. It is far superior to Light Room or Camera Raw if you are a more advanced user. Far better color accuracy, much better sharpening, supreme dynamic range controls, great noise reduction – the quality is miles ahead of Adobe products, period.

Why is Yanko Kitanov’s opinion more relevant, meaningful, or worth reading than the same junk from an Adobe fan who’ll say the exact opposite? Yanko, your opinion matches many, many others. I’ve used them all, and my go to program is Capture One.

Very happy it works well for you as well. Seriously though, why move to NIK etc etc when the tools are right there in Capture One in the first place?

And the file comes back into Capture One as an adjusted Tif variant copy. Adjust and then, when saved, the file comes back into Capture One as adjusted. If does not show immediately as adjusted, after the files come back into Capture One, go to file, ‘Regenerate Previews’ and if it had not come back in as per external editor already, the adjusted variant copy of image Tif will now show as adjusted. One workflow advantage of Capture One which I just found, is that one can send multiple files to the external editor, adjust them each , and when you Save All, they will all come back into Capture One.

Here is a link to a very nice read for those who prefer to work with the excellent color tools and curves in C1 and do their own thing. For those who like emulation packs, good for them. And no, it is nothing to do with convenience of choice determining opinion. That is just silly. In the first place, you’ve now equated all LR plug-ins with “emulation packs,” or not “doing your own thing,” which is.

LR is more extensible than C1. That’s a fact. Where opinion comes in is whether that extensibility matters to you. It may not to you, but it will to some people. Que sera sera. In the second place, C1’s internal tools are poor substitutions for LR extensibility.

If you argue that C1 doesn’t “need” the world of options available for LR or that LR “needs” extensions to match C1 , what you’re really saying is that you aren’t familiar with many of the ways in which LR can be extended. C1 doesn’t have to be better than LR for everyone. It’s a niche product. A tiny, tiny number of people use it. If one of those people is you, that’s fantastic. One of them is me, too.

I sense MeganV may be a “sometimes-er,” too? But it doesn’t mean anything about or for anyone else. MeganV LOL. Here’s two from a quick Google search. But go ahead, argue about something else now. Who am I to say – one of those guys that worked more in LR than in C1. I can get the best out of any converter and LR lags far behind C1 in many aspects.

Who am I to say – with 3 photos made by me chosen to be included at an official years Nat Geo exhibition I am a photographer and not a hater.

The “who are you” question was rhetorical, bro! You don’t see McNally running around talking about what’s suitable for “advanced” users, “period. And his trophy wall is a whole lot bigger than yours. Hey, mine isn’t empty, either. MiraShootsNikon Your endless explaining yourself is just as childish as statements like: “C1’s internal tools are poor substitutions for LR extensibility”. I tried it and compared to LR6. I did not find anything about it that was better than LR6 and much that was worse, not that I think LR6 is perfect, far from it, that was why I tried C1.

In processing dozens of portraits shot on a variety of cameras, however, I’ve found that both Capture One Pro 7 and DxO Optics Pro 8 offer consistently more accurate and pleasing results than Lightroom 4. Your mileage may vary of course, depending on the camera s you shoot with. That’s old software, one and two major versions back, respectively. Things change. The real problem here, though, is that the article never really draws comparisons with Lightroom, choosing instead to focus on Photoshop as a perspective point.

That leaves wondering whether the author really understands what he’s reviewing. It’s as if he’s chosen Photoshop as the comparison because Capture One 8 now uses a “layer” metaphor for specific edits. It’s like Photoshop! In fact, Damien Demolder is building something of a track record around here for “not really getting it. There is a trial of both software programs and I just loaded both up.

I will export some Canon nikon and Sony files and share what I see. Just the reverse. The other two cannot compete with Capture One in raw processing image quality. So, I rarely use the other two and go with the best. I’ll keep with the CO upgrades. Thematic Capture One 7 is very different animal then Capture One 8.

Im curious because so many people say the same as you but I couldn’t see it so I wonder if Im missing something. Perhaps instead of going backwards in compatibility, they should consider covering modern cameras such as the D I could never manage to sharpen my photos in C1 without producing additional unwonted artifacts.

LR has a really high edge in it. My experience is totally opposite. Maybe it’s the way these two applications deal with Raw files of different camera producers. I hate the way LR is sharpening adding grain to borders. I did it manually in PS before. C1 does it great and “structure” tool deals fabulously with textures. I have Sony a, and I think Sony and PhaseOne work close together C1 is the first, and currently the only software that can read a7rII raw files , which might be the reason why this works so good on C1.

I like the images C1P produces when someone else has edited them, but I couldn’t produce a result I like to save my life with it. So, I will stick with LR which gives me results in a few seconds.

And you would be entirely correct. But why would anyone throw years of learning and experience of product A in the bin just to invest money and time to acquire and learn product B when product A does everything you need it to do? To “push” the leader to keep innovating instead of resting on laurels and getting stupid. Not that this is a critique of either. SFXR you must be a clueless idiot troll or the most brilliant user in the world. Either way, for normal people it takes serious time to master a program with as many possibilities and options as Lightroom or Photoshop.

But thanks for your useful contribution. At least I know who to ignore when it comes to advise. A few 10 minute YouTube videos would have saved you, I don’t know, years of learning? No need to insult me or call me names just for pointing out the obvious and countering your now twice-edited drama. Would have liked a direct comparison with Lightroom.

I read everywhere that C1 has better “IQ” than Lightroom, I did a very quick comparison but found nothing drammatically different. For me quite apparent is the “pop” of the images. With C1 at default I have the impression that a content-dependent algorithm is at work instead of overall irrespective sharpening like with my Adobe versions.

And also, to repeat myself, try the “HDR” sliders for highlight shadow recovery which is their actual purpose. This is a really superior implementation compared to even current Adobe SW.

But even then it still did great. It is the best Dpreview can do at the moment Colors especially seem much easier to control than in some other software.

And when one batch processes with some other software, often the preset made in one image does not translate well onto other images, with some other RAW converters, colors especially and contrast. With Capture One, presets made in one image of a shoot translate ‘honestly’ to other images, even if those need tweaking, but I get what I expect from the preset. If I had to do it over, yes, I would like to think that I would have just bought Capture One from the beginning for its price and saved on others.

But then, I would not have learnt what I did in others and would not appreciate now, just how good it is. My main grouse with anything other than PS is the lack of filters like Nik Filters. ImageAmateur You stated “CI” several times Actually though, while 8 works well and most seem to think its engine is better, I also loved the 7 engine output. For me, the difference between 8 and 7 is more the additional tools, such as cloning, ability to use plugins or other editing software that come back into Capture One automatically, and the local adjustment layers functions, plus more color tools.

Go to file executable location i. One thing, I just did it, as had not done in a while, accidentally had ten images highlighted, it opened all and I was able to adjust each before hitting save, it brought all back into C One, so can do almost a multiple edit without doing that for each one. Did not know that! Yeah, my system seems to have picked up a bug or such. When I close the external edit it, comes back into Capture One looking normal, but if I close Capture One and reopen it is as adjusted in external editor, don’t remember it doing that initially when I tried it.

But the feature is there and it should come back into Capture One with edits applied. I might be missing something here but there is no executable file for Nik. Its a plugin and there is no standalone version. Every program has an executable file, you just have to know where it is very easy to know and I gave you the direction above as I mentioned.

So, whatever program you are using , whether ‘Alien Skin’, ‘Totally Rad whatever’, if you are into that sort of thing, it can be used to Edit files from within Capture One.

After the files come back into Capture One, go to file, ‘Regenerate Previews’ and if it had not come back in as per external editor already, the adjusted variant copy of image Tif will now show as adjusted. They are unsupported as standalone, but work just fine. Missing from above is the info that for Sony users, you can get the Sony version either free Express or for a minor amount 50 Euros for the Pro?

I personally think the “HDR” sliders are great and allow much better results than with LR, also with less effort. Crucial omission indeed. I wonder how many Sony owners waste cash on Lightroom, when this is better and considerably cheaper.. A few quibbles with C1 Pro for Sony. There is no lens correction for my Sony Zeiss DT mm f3.

And there is no red eye correction — for all the complicated stuff C1 Pro can do, it doesn’t have this fundamental, basic feature. Strange, IMO. Don’t quite understand your problem with the lens correction.

Is this not the case for A-mount? Sony added lens profile to ARW files just recently. It even don’t work with A-mount lens used on E-mount cam via native adapter. But then, it is always difficult to add to an existing system without causing issues with older equipment like cameras. So that makes it a very common problem, in which case, I’m even more surprised that C1 Pro doesn’t include this fundamental correction.

Perhaps C1 Pro is only for the select elite professional few like Nikolai Vassiliev who never, ever make errors except when trying to write English? Just use the Advanced color editor in a layer, pick the red eye, desaturate the pick, and mask the eye, and you’re done. Red-eye removal with much deeper control than a normal tool. But agree, pro shooters only deal with red-eyes extremely rarely. So there is no snobbery, just waste of time to develop such a tool, as only a very small number of CO users would actually use it.

Thanks, christiangrunercom. I’ll try that. I don’t have red-eye often in my photos either, but it popped up recently in a few of my grandbaby’s christening pictures. Are babies more prone to red eye? Or maybe there were too many flashes from all the family photogs? The camera and flash is hitting the subject at almost the same angle. That causes the eye to reflect the color back, but with a red color from our blood.

Use a external flash, and the problem is gone. Another thing is the amount of light. If you have a lot of light, you don’t get red eyes either. I’ve been using C1 since version 2. The software has undergone some nice evolutionary changes and recently a major overhaul of the user inteface which I welcomed and embraced. I have always admired its ability to sqeeze maximum detail out of RAW files while maintaining control over noise and delivering pleasing colors not to talk about great file organization structure.

What more do I need? Not much. But that is just me. I do not get it why people get so wound up and defensive of their preferred software. Skin Tone Editing. Black and White tool. Layers and Masks Focus your edits on specific parts of your image — without affecting the rest. Apply up to 16 layers and create precise masks to separate areas for editing.

Layers and Masks. Linear Gradient. Luminosity Masking. Feather Mask and Refine Mask. Grey Scale Mask. Radial Masks. Magic brush. Merge and Stitch Our new multi-imaging tools put even more creative freedom in your hands.

 

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Discover what’s new in the latest release of Capture One photo editing software. Explore our top new tools and world-class features. Try it free. How to get Capture One free legally and safety in 3 safe ways. One Pro. Rank. (/5); Reviews: ; License: Free Trial; Downloads: k; Version: Buy Phase One Capture One Pro 20 (Download, Upgrade from Capture One Pro 12) featuring Image Processing and Raw File Conversion, Instant Tethered Capture.